{"id":337122,"date":"2024-05-16T13:04:00","date_gmt":"2024-05-16T11:04:00","guid":{"rendered":"https:\/\/tetu.com\/?p=337122"},"modified":"2025-02-18T11:26:59","modified_gmt":"2025-02-18T10:26:59","slug":"festival-cannes-2024-bird-une-fable-poetique-barry-keoghan-cinema","status":"publish","type":"post","link":"https:\/\/tetu.com\/2024\/05\/16\/festival-cannes-2024-bird-une-fable-poetique-barry-keoghan-cinema\/","title":{"rendered":"\"Bird\" avec Barry Keoghan, une fable po\u00e9tique dans l'Angleterre p\u00e9riurbaine"},"content":{"rendered":"<h2>Pr\u00e9sent\u00e9 au <a href=\"https:\/\/tetu.com\/tag\/festival-cannes\/\" data-type=\"tag\" data-id=\"2113\" data-type=\"tag\" data-id=\"2113\">Festival de Cannes<\/a> en comp\u00e9tition officielle, <em>Bird<\/em>, d'Andrea Arnold, met en sc\u00e8ne dans l\u2019Angleterre prol\u00e9taire p\u00e9riurbaine un duo improbable form\u00e9 par une petite fille bravache et un \u00eatre \u00e9trange qui est la bont\u00e9 m\u00eame. Dans ce film, qui m\u00eale duret\u00e9 de l\u2019\u00e9poque et merveilleux quasi mythologique, le drame social flirte avec la chronique familiale. Sortie pr\u00e9vue au cin\u00e9ma le 1<sup>er<\/sup>\u00a0janvier 2025.<\/h2><div id=\"div-gpt-ad-1621434409290-0\" class=\"ad-slot u-justify-content-center u-margin-b-3\" style=\"display:flex\">\n  <script>\n    googletag.cmd.push(function() { googletag.display('div-gpt-ad-1621434409290-0'); });\n  <\/script>\n<\/div>\n\n<p>Bailey (Nykiya Adams, r\u00e9v\u00e9lation&nbsp;!) a 12 ans, elle est un peu <em>tomboy<\/em> et a la t\u00eate dure. Difficile en m\u00eame temps de vivre une vie insouciante d\u2019enfant quand on habite un squat dans une petite ville du Kent (comt\u00e9 du sud-est de Londres) avec un p\u00e8re post-ado aux multiples addictions (l\u2019Irlandais Barry Keoghan, vu r\u00e9cemment dans <em><a href=\"https:\/\/tetu.com\/2024\/04\/16\/cinema-lgbt-film-saltburn-streaming-amazon-prime-video-avis-critique\/\" data-type=\"post\" data-id=\"332794\">Saltburn<\/a> <\/em>et<em> Les Banshees d\u2019Inisherin<\/em>) dont la vie se r\u00e9sume \u00e0 des petits trafics, \u00e0 l\u2019organisation de son mariage avec sa nouvelle conqu\u00eate ou encore \u00e0 trouver les chansons id\u00e9ales pour faire baver son nouveau crapaud hallucinog\u00e8ne. Quant \u00e0 son fr\u00e8re Hunter, il m\u00e8ne des exp\u00e9ditions punitives cibl\u00e9es et violentes tandis que sa m\u00e8re est en proie \u00e0 un mec plus que toxique\u2026 Alors Bailey s\u2019\u00e9vade comme elle peut dans la campagne environnante, en filmant avec son portable des courtes vid\u00e9os d\u2019oiseaux dans le ciel, de paysages et d\u2019animaux, jusqu\u2019\u00e0 ce qu\u2019elle rencontre Bird, un \u00eatre hors-du-commun \u00e0 la voix \u00e9trange, f\u00e9e \u00e0 jupette et \u00e0 la bienveillance infaillible.<\/p>\n<p><iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/scMh3X6byns?si=0MJYwk8KQ2IuM8_4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"><\/iframe><\/p>\n<h3>Deux personnages hors normes<\/h3>\n<p>La r\u00e9alisatrice britannique Andrea Arnold, \u00e0 qui l\u2019on doit <em>Fish Tank<\/em> ou <em>American Honey<\/em>, trace son sillon naturaliste et accident\u00e9, ose une cr\u00e9ativit\u00e9 visuelle teint\u00e9e de merveilleux pour raconter ce parcours initiatique. \u00c9mergeant d\u2019un bestiaire sublim\u00e9, le fascinant <a href=\"https:\/\/tetu.com\/2023\/06\/28\/cinema-interview-franz-rogowski-acteur-allemand-couple-gay-ben-wishaw-film-passages\/\" data-type=\"post\" data-id=\"296178\">Franz Rogowski<\/a> (coup sur coup dans les films <em>Great Freedom<\/em>, <em>Passages<\/em> et <em>Disco Boy<\/em>) donne corps au personnage-titre de Bird, un \u00eatre asexu\u00e9 d\u2019une douceur et d\u2019une bont\u00e9 absolues, qui incarne \u00e0 lui seul un contrepoint salvateur \u00e0 la famille bien caboss\u00e9e de la jeune Bailey. <\/p>\n<p>Si la narration manque quelque peu de surprise et si les personnages de prolos british ne sont pas tr\u00e8s \u00e9loign\u00e9s des clich\u00e9s habituels, Andrea Arnold nous offre toutefois deux personnages totalement hors des convenances et des codes de genre habituels. Leur relation, racont\u00e9e par petites touches, donne lieu \u00e0 des moments de <a href=\"https:\/\/tetu.com\/tag\/cinema\/\" data-type=\"tag\" data-id=\"10\" data-type=\"tag\" data-id=\"10\">cin\u00e9ma<\/a> d\u2019une d\u00e9licatesse infinie, \u00e0 des images animali\u00e8res dont la beaut\u00e9, la lumi\u00e8re et le montage transcendent la banalit\u00e9. Le film agit sur un mode exponentiel, catalysant discr\u00e8tement les \u00e9motions pour les faire \u00e9voluer et se transformer. Au contact du personnage de Bird, Bailey semble grandir devant nos yeux, telle l\u2019h\u00e9ro\u00efne d\u2019un conte de f\u00e9es. Une fable qui confronte r\u00e9el et merveilleux pour raconter la mue des corps et des esprits\u2026<\/p>\n<p><a  class=\"read-also   u-block u-padding-4 u-margin-t-5 u-margin-b-5 bg-near-white t-link-wrapper t-decoration-none   @lg:u-flex @lg:u-margin-t-9 @lg:u-margin-b-9\"  href=\"https:\/\/tetu.com\/2024\/05\/25\/cinema-emilia-perez-film-jacques-audiard-prime-cannes-selena-gomez-actrice-trans-karla-sofia-gascon\/\" data-type=\"post\" data-id=\"337127\">  <span class=\"read-also__label   u-inline u-fit-content t-label-large t-weight-900 t-condensed   @lg:u-margin-r-1\" data-no-link-fx>    \u00c0 lire aussi :  <\/span>  <span class=\"read-also__title   u-inline u-fill-space t-header-small t-weight-700 t-transform-none\" data-no-link-fx>    <span class=\"u-inline t-link-proxy\">      \"Emilia P\u00e9rez\", le chef-d'\u0153uvre singulier de Jacques Audiard avec Karla Sof\u00eda Gasc\u00f3n    <\/span>  <\/span><\/a><\/p>\n<div id=\"div-gpt-ad-1621434471533-0\" class=\"ad-slot u-justify-content-center u-margin-b-3\" style=\"display:flex\">\n  <script>\n    googletag.cmd.push(function() { googletag.display('div-gpt-ad-1621434471533-0'); });\n  <\/script>\n<\/div>\n<p><em>Cr\u00e9dit photo : Ad Vitam<\/em><\/p>\n<div class=\"wp-block-post-terms\"><a href=\"https:\/\/tetu.com\/tag\/festival-cannes\/\" data-type=\"tag\" data-id=\"2113\" data-type=\"tag\" data-id=\"2113\">Cannes<\/a> | <a href=\"https:\/\/tetu.com\/tag\/film\/\" data-type=\"tag\" data-id=\"61\">film<\/a> | <a href=\"https:\/\/tetu.com\/tag\/cinema\/\" data-type=\"tag\" data-id=\"10\" data-type=\"tag\" data-id=\"10\">cin\u00e9ma<\/a> | <a href=\"https:\/\/tetu.com\/tag\/culture\/\" data-type=\"tag\" data-id=\"252\">culture<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"Pr\u00e9sent\u00e9 au Festival de Cannes en comp\u00e9tition officielle, Bird, d'Andrea Arnold, met en sc\u00e8ne dans l\u2019Angleterre prol\u00e9taire p\u00e9riurbaine un duo improbable form\u00e9 par une petite fille bravache et un \u00eatre \u00e9trange qui est la bont\u00e9 m\u00eame. Dans ce film, qui m\u00eale duret\u00e9 de l\u2019\u00e9poque et merveilleux quasi mythologique, le drame social flirte avec la chronique&hellip;","protected":false},"author":"Franck Finance-Madureira","featured_media":337358,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","inline_featured_image":false},"categories":[27,1],"tags":[2113,61,10,252],"acf":[],"paywall":false,"premium":false,"sponso":false,"imageComposition":"default","imageUrl":"https:\/\/tetu.com\/wp-content\/uploads\/2024\/05\/BirdOK-copie.jpg","mainTag":"Cannes","mainColor":"#f2b5a0","postType":"post","relatedPosts":[{"id":360802,"title":"Orb\u00e1n enterre les droits LGBT, silence complice de la France et de 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