{"id":337560,"date":"2024-05-21T11:31:00","date_gmt":"2024-05-21T09:31:00","guid":{"rendered":"https:\/\/tetu.com\/?p=337560"},"modified":"2025-02-18T11:42:12","modified_gmt":"2025-02-18T10:42:12","slug":"cinema-festival-cannes-2024-film-eat-the-night","status":"publish","type":"post","link":"https:\/\/tetu.com\/2024\/05\/21\/cinema-festival-cannes-2024-film-eat-the-night\/","title":{"rendered":"\"Eat the Night\", adieu aux vieux mondes"},"content":{"rendered":"<h2>Apr\u00e8s des courts-m\u00e9trages cultes (<em>Tant qu\u2019il nous reste des fusils \u00e0 pompe<\/em> ou <em>After school knife fight<\/em>) et un premier long-m\u00e9trage d\u2019une modernit\u00e9 folle mais fra\u00eechement accueilli (<em>Jessica Forever<\/em>, 2018), le duo de cin\u00e9astes Caroline Poggi-Jonathan Vinel, passionn\u00e9 de mondes virtuels, pr\u00e9sente <em>Eat the Night<\/em>, un film noir au romantisme pur et dur, \u00e0 la Quinzaine du dernier <a href=\"https:\/\/tetu.com\/tag\/festival-cannes\/\" data-type=\"tag\" data-id=\"2113\" data-type=\"tag\" data-id=\"2113\">Festival de Cannes<\/a>. Sortie pr\u00e9vue au cin\u00e9ma le 17&nbsp;juillet.<\/h2><div id=\"div-gpt-ad-1621434409290-0\" class=\"ad-slot u-justify-content-center u-margin-b-3\" style=\"display:flex\">\n  <script>\n    googletag.cmd.push(function() { googletag.display('div-gpt-ad-1621434409290-0'); });\n  <\/script>\n<\/div>\n\n<p>C\u2019est act\u00e9, la fin est proche. Il ne reste que quelques jours d\u2019existence au jeu de plateforme <em>Darknoon<\/em>, refuge d\u2019Apo, jeune ado havraise (Lila Gueneau), et de son grand fr\u00e8re Pablo (Th\u00e9o Cholbi, vu dans <em>The Smell of us<\/em> et <em>R\u00e9parer les vivants<\/em>), petit dealer d\u2019ecstasy. L\u2019arriv\u00e9e dans leurs vies de Night (Erwan Kepoa Fal\u00e9, d\u00e9couvert en escort doux et lumineux dans <a href=\"https:\/\/tetu.com\/2022\/12\/01\/cinema-lyceen-nouveau-film-christophe-honore-interview-acteurs-paul-kircher-erwan-kepoa\/\" data-type=\"post\" data-id=\"269403\"><em>Le<\/em> <em>Lyc\u00e9en <\/em>de Christophe Honor\u00e9<\/a>) agira comme un r\u00e9v\u00e9lateur\u2026 <\/p>\n<p><a  class=\"read-also   u-block u-padding-4 u-margin-t-5 u-margin-b-5 bg-near-white t-link-wrapper t-decoration-none   @lg:u-flex @lg:u-margin-t-9 @lg:u-margin-b-9\"  href=\"https:\/\/tetu.com\/2024\/05\/16\/festival-cannes-2024-bird-une-fable-poetique-barry-keoghan-cinema\/\" data-type=\"post\" data-id=\"337122\">  <span class=\"read-also__label   u-inline u-fit-content t-label-large t-weight-900 t-condensed   @lg:u-margin-r-1\" data-no-link-fx>    \u00c0 lire aussi :  <\/span>  <span class=\"read-also__title   u-inline u-fill-space t-header-small t-weight-700 t-transform-none\" data-no-link-fx>    <span class=\"u-inline t-link-proxy\">      \"Bird\" avec Barry Keoghan, une fable po\u00e9tique dans l'Angleterre p\u00e9riurbaine    <\/span>  <\/span><\/a><\/p>\n<p>Avec <em>Eat the Night<\/em>, le duo <meta charset=\"utf-8\">Caroline Poggi-<meta charset=\"utf-8\">Jonathan Vinel revisite ses fondamentaux \u2013 la vie p\u00e9riurbaine, l\u2019interp\u00e9n\u00e9tration entre r\u00e9el et virtuel, un romantisme moderne, sombre et d\u00e9senchant\u00e9 \u2013 en imaginant un film multi-genre, qui est d\u2019abord l\u2019histoire d\u2019une passion amoureuse&nbsp;entre deux outsiders qui tentent, au d\u00e9part chacun \u00e0 leur fa\u00e7on, de sortir la t\u00eate de l\u2019eau. <\/p>\n<p><iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/99Y1Ifec81k?si=2kvQV9mEa7c3mrVK\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"><\/iframe><\/p>\n<h3>Un monde nouveau<\/h3>\n<p>La rencontre entre Pablo et Night est comme une \u00e9vidence, la chimie sexuelle \u2013 pr\u00e9sent\u00e9e \u00e0 l\u2019\u00e9cran comme rarement dans le cin\u00e9ma fran\u00e7ais \u2013 agissant comme un moteur dans cette relation passionnelle qui les aveugle sur les risques grandissants de leur commerce, d\u00e9sormais commun, d\u2019ecstasy. Ensuite le film noir, poisseux, qui raconte la violence de l\u2019\u00e9poque, les luttes de territoire \u00e0 l\u2019\u00e8re des vaines op\u00e9rations \"places nettes XXL\" du monde d\u2019hier. Et, finalement, l\u2019apocalypse comme point de fuite, celle annonc\u00e9e du jeu <em>Darknoon<\/em> mais \u00e9galement celle d\u2019un monde finissant, d\u2019un patriarcat \u00e0 bout de souffle, d\u2019un masculinisme qui s\u2019\u00e9teint peu \u00e0 peu rong\u00e9 par sa propre toxicit\u00e9 m\u00eame s<meta charset=\"utf-8\">\u2019il est encore capable de provoquer des d\u00e9g\u00e2ts irr\u00e9versibles.<\/p>\n<p>Poggi et Vinel sont en prise avec leur \u00e9poque et, il faut se rendre \u00e0 l\u2019\u00e9vidence, ils ont toujours un coup d\u2019avance. \u00c0 la fois philosophes et d\u00e9miurges de ces mondes qui leur sont familiers, ils parviennent \u00e0 mettre en sc\u00e8ne comme jamais pr\u00e9c\u00e9demment les imbrications entre quotidien et virtuel, entre la vie, ce jeu dangereux, et le jeu, vu comme une vie augment\u00e9e. Malgr\u00e9 la noirceur du propos et le romantisme (au sens premier&nbsp;: sensibilit\u00e9, imagination, jusqu\u2019au-boutisme) pur, moderne et intrins\u00e8quement violent qui habite leurs \u0153uvres, cette peur de la finitude (annonc\u00e9e ou impr\u00e9visible) agit comme une force r\u00e9v\u00e9latrice et r\u00e9volutionnaire. La fin du monde ne serait qu\u2019un passage et un espoir. Celui de voir enfin na\u00eetre un monde nouveau. Le monde de demain, celui qui regarde sa jeunesse dans les yeux.<\/p>\n<p><a  class=\"read-also   u-block u-padding-4 u-margin-t-5 u-margin-b-5 bg-near-white t-link-wrapper t-decoration-none   @lg:u-flex @lg:u-margin-t-9 @lg:u-margin-b-9\"  href=\"https:\/\/tetu.com\/2024\/05\/25\/cinema-palmares-festival-cannes-2024-queer-palm-lgbt-film-trois-kilometres-jusqua-la-fin-du-monde\/\" data-type=\"post\" data-id=\"337723\">  <span class=\"read-also__label   u-inline u-fit-content t-label-large t-weight-900 t-condensed   @lg:u-margin-r-1\" data-no-link-fx>    \u00c0 lire aussi :  <\/span>  <span class=\"read-also__title   u-inline u-fill-space t-header-small t-weight-700 t-transform-none\" data-no-link-fx>    <span class=\"u-inline t-link-proxy\">      Festival de Cannes\u00a0: la Queer Palm 2024 \u00e0 \"Trois kilom\u00e8tres jusqu'\u00e0 la fin du monde\"    <\/span>  <\/span><\/a><\/p>\n<div id=\"div-gpt-ad-1621434471533-0\" class=\"ad-slot u-justify-content-center u-margin-b-3\" style=\"display:flex\">\n  <script>\n    googletag.cmd.push(function() { googletag.display('div-gpt-ad-1621434471533-0'); });\n  <\/script>\n<\/div>\n<p><em>Cr\u00e9dit photo : Tandem Films<\/em><\/p>\n<div class=\"wp-block-post-terms\"><a href=\"https:\/\/tetu.com\/tag\/festival-cannes\/\" data-type=\"tag\" data-id=\"2113\" data-type=\"tag\" data-id=\"2113\">Cannes<\/a> | <a href=\"https:\/\/tetu.com\/tag\/cinema\/\" data-type=\"tag\" data-id=\"10\">cin\u00e9ma<\/a> | <a href=\"https:\/\/tetu.com\/tag\/film\/\" data-type=\"tag\" data-id=\"61\">film<\/a> | <a href=\"https:\/\/tetu.com\/tag\/culture\/\" data-type=\"tag\" data-id=\"252\">culture<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"Apr\u00e8s des courts-m\u00e9trages cultes (Tant qu\u2019il nous reste des fusils \u00e0 pompe ou After school knife fight) et un premier long-m\u00e9trage d\u2019une modernit\u00e9 folle mais fra\u00eechement accueilli (Jessica Forever, 2018), le duo de cin\u00e9astes Caroline Poggi-Jonathan Vinel, passionn\u00e9 de mondes virtuels, pr\u00e9sente Eat the Night, un film noir au romantisme pur et dur, \u00e0 la&hellip;","protected":false},"author":"Franck Finance-Madureira","featured_media":337607,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"27","inline_featured_image":false},"categories":[27,1],"tags":[2113,10,61,252],"acf":[],"paywall":false,"premium":false,"sponso":false,"imageComposition":"default","imageUrl":"https:\/\/tetu.com\/wp-content\/uploads\/2024\/05\/eat-the-night-film-festival-cannes-2024-1024x558.jpeg","mainTag":"Cannes","mainColor":"#f2b5a0","postType":"post","relatedPosts":[{"id":360802,"title":"Orb\u00e1n enterre les droits LGBT, silence complice de la France et de 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